Theater companies offer trainings to keep actors and audience on their toes

CAREERS AND ED Like most skills, acting can be honed and refined, and the number of disciplines and techniques an actor could familiarize themselves with are practically infinite. Fortunately for the professional and amateur actor alike, there's a number of theater companies who offer the same actor trainings to the public that they utilize in the creation of their own work.
Ranging from techniques such as Suzuki Method or Viewpoints, skill sets such as improv or stage combat, or theatrical forms such as Bouffon or Kyogen, these classes help keep working actors in artistic shape, and offer a way for even rank beginners to acquire translatable performance skills. And since unlike acting schools or conservatories, there's rarely an audition process or prerequisite for attendance, they're accessible to a fairly broad demographic.
Ensemble theater-making is East Bay company Ragged Wing's focus, and therefore also the focus of the trainings it offers to the public. Utilizing techniques such as Viewpoints, mask performance, puppetry, music, and myth-based story creation, Ragged Wing introduces actors and theater-makers of all levels (including total newbies) to concepts such as devised theater, imagination play, and the psycho-physical exercises of Michael Chekhov. It even offers a workshop for teachers in applying ensemble theater techniques in the classroom. Visit its website for an overview of last year's program, and this year's upcoming dates, which will occur later this spring.
We like this next class so much we awarded it a Best of the Bay in 2011! Taught by Naked Empire Bouffon Company artistic director Nathaniel Justiniano, the Intro to Bouffon Workshop guides up to 20 participants on a journey to find their "personal bouffon" (or "inner psychopath," as we termed it). Alternating between weekend intensives and four-week workshops of two-hour sessions (one of which just started on January 15), Intro to Bouffon includes instruction on creating within ecstatic play, movement-and-vocal-based improv, and blatantly violations of the usual boundaries drawn between audience and performer. In addition to teaching at the warehouse Main Street Theater, Justiniano has also recently joined the Circus Center faculty where he will teach a seven-week course on Bouffon beginning in April.
$60–$80, 20-hour intensives $200, Circus Center intensive $3200. www.nakedempirebouffon.org
Another theater company offering training in the specialized theatrical format it also performs is Theatre of Yugen, which offers a series of art of performance workshops as well as an apprenticeship program on Kyogen and Noh techniques. This year's public trainings begin on January 26 with a weekend intensive on "Physical Character" in the Kyogen style of performance. Private apprenticeships are granted by audition, and last for an entire calendar year during which apprentices train and eventually perform with the company, sometimes staying on as company members after their graduation.
$80–$100 (with discount for taking multiple classes.) Enrollment is limited. www.theatreofyugen.org
Related articles
Collaborators challenge limitations in 'Your Body is Not a Shark'
Also from this author
An unexpectedly controversial German film about skaters challenges the establishment in more ways than one.
Most Commented On
Recent comments
- Lilli, you've admitted to trolling SFGATE and getting banned - May 22, 2013
- Then why don't you move to a less successful town - May 22, 2013
- Yet you cannot refute his points and - May 22, 2013
- The US has the highest rate of corporate tax in the West, so - May 22, 2013
- And you trust the government to run your healthcare? - May 22, 2013
- Why is it mentioned in the article? - May 22, 2013
- LOL, and "Johnny Venom" is your real name? - May 22, 2013
- The US owes 20 trillion including agency debt. - May 22, 2013
- The policy question is who adds value to SF? - May 22, 2013
- Let me get this - May 22, 2013









Comments
Post new comment